MAX F. STUPAR
1885-1944
 
 
Max F. Stupar
 
 
                                         Courtesy of Max Stupar, Jr.
Max Stupar, Sr.
"Max Stupar, Sr. (1885-1944) and other Slovenian aviators will be the subject of a thorough, documented study in a future chapter on Slovenian contributions to aviation and space programs. Here, suffice to say that when Stupar died in a plane accident in 1944, The Atlantic Journal and other media hailed him as the "father of mass airplane production" in America and the world."
from
SLOVENIAN HERITAGE
Volume I
Edited by
Edward Gobetz
Professor of Sociology and Anthropology
Kent State University,
with the assistance of
Milena Gobetz
and
Ruth Lakner

Collection of LaVerne Erhardt
 
 
Max F. Stupar
 
  South Chicagoan Max Stupar, atop of a Baltimore Avenue building, prepares to launch himself in one of the gliders he built at the turn of the century. The photo is circa 1908. Stupar later went on to become a pioneer of the aviation world.
(Photo courtesy of the Slovenian Research Center of America).
Collection of LaVerne Erhardt
 
 
Flying high with Regionite Max Stupar
by Archibald McKinlay
Times columnist
The Times, Sunday, August 28, 1988
Hammond, Indiana

     This is a tale of the Region's Daedalus.
     You'll recall that the original invented wax wings for himself and his son Icarus to escape prison, but when the exhilarated icarus soared too close to the sun, his wings melted, plunging the young test pilot to earth and death.
     Unlike Greek mythology, however, our story combines Daedalus and Icarus in one person, a Regionite known simply as Max.      Maximillian Stupar was born on Sept. 23, 1885 in Metlika, Slovenia, where he learned the delights of flying kites.
     Even after his parents uprooted Max from the empire of the Hapsburgs and transplanted him in South Chicago, that joy never left him. When Max wasn't dreaming about kites, he dreamed about Leonardo da Vinci's sketeches for carrying a man in the air.
     And he followd the exploits of Octave Chanute, another transplanted European (from France) who had found a home in Chicago and had developed an interest in kites.
     Max was inspired by Chanute's building on the landmark glider expereiments of Otto Lilienthal, a German, to write Progress in Flying Machies (1894). This book was the bible of aeronautics.
     Max/s book, some glider experiments he attempted in the dunes of Indiana, Miller Beach , during 1896, and in Dune park during 1897, provided the design for the Wright brothers' first airplane.
     But while Chanute and the Wright brothers were becoming aeronautical icons, Max managed to elude celebrity.
     In 1902, as the Wright brothers also experimented with gliders, Max began his own experiments. Instead of taking off from the dunes of Kitty Hawk, Max leaped from the tops of houses, barns, low hills, and slopes of South Chicago.
     His gliders sometimes reached the awe-inspiring altitude of 300 feet. Some neighbors demanded the kid be given a saliva test.
     Then, like Octave Chanute, Max moved his experiments to the sacred sands of Dune park, which led in 1908, to his construction of his first airplane. Alas, the plane cracked up before Max could test it properly.
     Undeterred, Max patterned a plane after the one Louis Bleriot had used to fly the English Channel. He made a test flight to Milwaukee, lifting the hydroplane from the waters of Sandy Beach at 95th and the Big Lake the following year.
     Lucklessly, that plane also had a short life, ignominiously plowing into Chicago's first airfield, Cicero Field at 22nd and Cicero.
     In 1910, he opened the Stupar Aero Works in South Chicago, then sold it in 1912 to the Chicago Aero Works for a one-third ownership, and a position as chief engineer. Between 1912 and 1916, Chicago Aero built 30 airplanes and introduced the Stupar Tractor Biplane, the first biplane to use an enclosed fuselage and tractor propellor.
     And then Max escaped the Region. With a glowing resume that proclaimed Max an aviation pioneer, he left South Chicago, in 1916, to join the Standard Airport Corporation in New Jersey.
     Then World War I intervened.
     With America's entry into the most implicative event in the history of modern man, the airplane came into its own as an instrument of war and a subject of romance, the steed of flying knights in search of adventure.
     So Max returned to Chicago as a member of the inspection service for the new U.S. Air Service, and then went to Buffalo, and finally Washington, D.C., as assistant chief of wood inspection for airplane construction.
     Throughout the war, and until 1922, airplanes were made almost exclusively of wood, the so-called "stick and wire" construction. Max knew more about that than just about anybody, having worked closely with several South Chicago lumber firms. He also authored a book entitled "Wood Technology," as he drifted farther away from the cockpit.
     After the war, Max became an engineer with the G. Elias and Brothers Lumber Co., which was just getting into aircraft design. In 1927 joined Curtiss Airplane. He stayed with Curtiss until 1939, as chief of the estimations department, in which post he originated the definitive advanced system of airplane cost estimating.
     Max finally escaped his prison of routine, when war started again in Europe during 1939. He soared as high as the sun. Not only did he help develop the modern method of assembly-line airplane construction, he became liason between the government and the aircraft industry, flying all over the country in the process.
     Then his moment in the sun ended. On Nov. 27, 1941, near the Dayton field named of Ohio's two most famous bicycle repairmen, Max fell to the earth for the last time, joining the ranks of the young test pilot, Icarus.
Newsclipping from collection of LaVerne Erhardt
 

 
 
Adventure in Aviation
Editor's Note: The following is a complete text of the address delivered by Max Stupar, Bell's Production Coordinator, before a joint dinner meeting of the Society of Automotive Engineers and the American Society of Mechanical Engineers, held in the Trap & Field Club, Wednesday evening, March 11th. We print it in full because we feel that it is an historical document on the progress of American aviation. Its sparkling humor and human interest, will, we believe, strike a responsive chord with Bellringer readers
     I want to speak of the early days of Aviation --by that I mean the time between 1905 and 1915, although intelligent experimentation in aeronautics was conducted as early as 1859. Even as far back as the 16th century, we have the case of a man attempting to fly from Scotland to France. This young man climbed to the top of a castle wall in Scotland for his take-off. He landed in a manure pile at the base of the wall and explained his failure by saying that he had used chicken feathers in the construction of his wings which were attracted to the manure pile, whereas had he used eagle feathers they would have been attracted to the air and his flight would have been successful. This is the first recorded alibi as to why a flying machine didn't work.
     I became interested in the possibility of mechanical flight in 1905. I had been playing around with kites for about four years and as a result developed a peculiar type of kite. This kite had a forward surface about one foot cord by three feet span and after an interval, another surface about 30 inches span and about 15 inches cord and of more or less triangular shape. Along the top there was a vertical fin running the full length. With this kite I was able to lift weights of ten pounds, while the string by which guided it was only good for four pounds. All early experiments were made on the ornithopter principle, -that is flight by means of flapping wings. About 1905, the helicopter principle was developed, -that is the principle by which the lift is secured by vertically acting propellers. In both of these principles it is necessary to lift the whole dead weight of the machine and cargo. From my kite experiments I could see the possibility of carrying weights considerable in excess of the propulsive forces, so I started from there. I made all kinds of models with various means of propulsion. I used whale bone bows pulling on a string wrapped around the propeller shaft. I used spring motors and later I used rubber bands for power. I made all kinds of propellers. I used feathers from chicken wings for propeller blades in one case. In others I tried to copy bird's wings and in another case I modeled my propeller blades after dragon flies' wings. In some models I used two propeller, in others I used on very large one. I also used various means of launching. One way was to suspend the model by springs from a trolley running on a tightly stretched piano wire. By suitable calibration I was able to determine what proportion to the dead weight of the model was being lifted. I used this method in the case of spring-driven motors since the power plant was too heavy for the model to actually fly. The rubber band driven models I tested in free flight. By this time I decided that I had arrived at a point where I was ready to build a full-scale machine. This was the time when dirigible flying was so popular. Every dirigible required a power plant. Glenn Curtiss was one of the manufacturers of power plants for dirigibles. At that time I only knew Glenn Curtiss as a motorcycle racer and builder of motorcycles. The power plant I speak of consisted of a 2-cylinder 12 H.P. motorcycle engine equipped with a power shaft geared down to 450 R.P.M. One end of this shaft was arranged for connection to the propeller shaft of the dirigible and the other carried a fly wheel built up like a bicycle wheel except that the rim was a one quarter inch by one inch steel ring. Tin vanes were also soldered to the spokes to direct a current of cooling air on the cylinders. I secured one of these power plants for my contraption. Unfortunately, or should I say fortunately, this machine was wrecked by a wind storm before I could give it a proper trial. That wind storm probably saved my life because this machine did not have any provision for lateral control and I am sure would have been very unstable fore and aft.
     I had noticed for a long time that many birds were able to soar for considerable distances without any apparent movement of their wings. I reasoned that there was something in the peculiar shape or cross section of the wing which enabled them to do this. I knew from my previous experiments that a flat plane of the same area could never suppoort that weight. So, I proceeded to collect all sorts of birds' wings,-anything from sparrows' wings to ducks' wings, gulls and buzzards' wings . I would prepare a shallow box of sujitable size for each wing. I would spread and fasten the wing in this box in as nearly a flying attitude as possiber. Then I would pour melted paraffin around it so as to cast it into a block. By cutting through this block I could study the cross section of the wing. Whatever the size of the birds wing I would cut into ten equal parts so as to give me the cross section at each 10% of the semi-span. Then I would plot these all to the same size so I cold directly compare them with each other. As a result I found that there was a distinct difference between the wings of birds which flew by flapping and those that did a lot of soaring. The flapping bird's had a wing cross section of a curvature more nearly approximating the arc of a circle, whereas the soaring birds had a cross section more nearly approaching a parabola.
 
 
Max F. Stupar
 
  Max Stupar pauses while his appreciative audience expresses their enjoyment of one of his sallies.
Collection of LaVerne Erhardt
 
       At that time I heard of Octave Chanute's experments at Dune Park. Dune Park is a sand hill region between the present city of Gary and Michigan City, Indiana. It is at the south end of Lake Michigan. This as long before there was any city of Gary. That area at that time consised of low sand hills covered with oak scrub and willows. Octave Chanute experimented with all kinds of gliders but his bi-plane glider was the most satisfactory and was the one which the Wright Bothers later on developed into the first Wright airplane. I could recognize the value of the bi-plane principle in inherent rigidity so I started building gliders on the bi-plane principle. However, I still believed that there was someting inherent in the plan form and cross section or a bird's wing which was important. So on my gliders I had wings of the plan form of a bird. The upper and lower wings were spaced four feet apart. In the middle of the lower wing there wa as space into which I could crawl. There were two parallel rails, 12 inches apart. These would fit up into my arm pits. There was also a rope stirrup around the back of my neck and down in front over the shoulders to these rails to keep the rails anchored tightly under my arm pits. I could grip the rails with my hands and by holding on to the front beam with my hands I could slide my body back and forth so as to change the center of gravity and thus cause an upward or downward attitude. There was a vertical and horizontal tail but they were fixed.
     After the early preliminary experiments I found that some sort of lateral control was necessary. I also noticed that all birds had flexible wing tips and that they use them frequently to correct any lateral unbalance. So, I made my wing tips flexible. This lateral control was operated form what might be called an inverted control stkick. Wire came from the tips to this control stick. I would fasten a belt around my waist which had a ring in the back and I would slip this ring over the free end of the control stick . Then my hody hanging from my army pits as a pendulum would operate the lateral control and warp the wing tips as necessary
     My first attempts were from low elevations such as barns but this was not satisfactory at all, and I decided that I would have to start from a higher altitude. I selected a house owned by my parents which favced the prevailing winds and in front of which there was considerable open space. I would climb to the top of this house with my glider and perch on the dridge. *I would adjust the angle of incidence to the air currents as necessary and wait until the wind steadied down to a satisfactory condition. Then I wold run down the slope of the roof and out into space. In some of these flights I gained a distance of about 100 to 200 feet from an altitude of 40 feet. Others, however, were not so successful. Whenever I made any of these, what you might call, forced landings, either one side or the other of the glider would come down first and the structure was just stiff enough to cushion my fall. I would get up out of the mess of wires, cloth and broken sticks, spit the sand out of my mouth and I was all right. Although I suffered scratches and other bruises, I never really got hurt. After a while I found that this was no good either. The turbulent currents at the eaves of a roof wold not permit any consistent analysis of the results. I could not depend on duplicating any flight so I decided to try Dune Park. The conditions there were ...but my hopes of going the first man to invent a flying machine were dashed because by this time the Wright Brothers, Curtiss and others had already made successful flights. Santos Dumont in his second plane which he called the "Demoiselle" had made a flight of 13 miles from St. Cyr to Paris. This flight was very much publicized and Santos Dumont very generously offered his invention to the world.
     I decided at that stage that I could not be the first one to invent a flying machine, I could at least outdo them. So I started the Stupar Aero Works in South Chicago. I advertised in "Popular Mechanics" that I was in a position to furnish drawings or parts of a Demoiselle and that I could supply the complete airplane. I sold seven complete Demoisselles besides many parts and drawings. I also started a line of various special aircraft material, - turn buckles, steering wheels, landing wheels, fitting, cloth, etc. I put on the mkrket a line of my propellers that I advertised under the trademark of "Craftsman" One of these is now at the Smithsonian Institute in Washington. I also sold all kinds of model supplies, rubber bands, small propellers, etc. Mr. Hathorne was one of my early customers. He came in one day from Mason City, Iowa to buy some supplies.
     One day a Mr. Frey came into my place. He was employed as an engineer by the Stromberg Carburetor Co. of Chicago. He said that he and his wife were building a balloon. He said they could do all the sewing and make the net, etc. but they were unable to make the basket, the gas valve and the other various gadgets required around the ballon and wanted to know if I could make them. Of course, that was what I was in business for and after he explained what he wanted I proceeded to make the parts. I don't know whether any of you people knon what a balloon gas valve is like. A balloon gas valve consists of a wooden ring 15" to 18" in diameter with a cross bar across the center. To this bar are hung two semi-circular flaps covered with felt which are held up by means of rubber bands to close up the two openings, ropes are attached to the ends of the two flaps so that the aeronaut by pulling on the rope can hold the valve open and let the gas escape. After the rope is released, the rubber bands again tightly close the openings. The balloon was taken to Cicero Field, west of Chicago. When the balloon was ready he invited me to come along with him. I had never been up in a ballon before so I was very elated at the opportunity to get a free ride. I climbed in and after the preliminaries of weighing off, we started to rise. For the benefit fo those in the audience who are not familiar with the procedured of weighing off, it is as follows; Contrary to the general conception, you dont throw bags full of sand out of a balloon . If you did , you would go up like a skyrocket. You very carefully unload enough sand by the handsful and dribble it over the side of the basket until the balloon starts leaving the ground. The balloon first rises very slowly but quickly gathers speed. Very soon we were up to an altitude of 6000 feet. It was a beautiful day in June and the sight was really glorious. We drifted in a northeasterly direction toward Lake Michigan. I mentioned to Mr. Frey, "you know, this is the first time I have ever been up in a ballon." He said, "It is my first time, too." I certainly was surprised. He had talked so learnedly about every phase of ballooning that I thought he was an old aeronaut. He got all his information by reading books. Although , as it turned out, he learned his lesson very well, I must confess that I did feel a little bit nervous when we were getting very close to Lake Michigan. It looked like it was almost under our feet but he valved gas cautiously and soon we made a normal landing. There was no particular incident about this flight and even though the man had never handled a balloon before, he handled it like a veteran.
     All you people are using technical aeronautical terms every day but I wonder how many stop to think that 40 years ago none of these terms were in existence; the word "hangar," for instance. In the early days most exhibition flying was done at county fairs. There was no proper place to house an airplane. It was necessary at that time to have some portable housing means such as a tent, but the ordinary type of tent had too small openings So finally, a type of tent was put on the market patterned after the main tent used by Arabs for centuries as a general meeting place for the tribe. These tents were called "hangars" and were well adapted to hoouse an airplane. Later on when more permanent structures were built to house airplanes they also were called "hangars" and they are called that to this day.
     And then there is the word "dope" In the early days, airplane wings were most commonly covered with muslin treated with a solution of glue and alum. Some builders used rubberized cloth which was designed as balloon cloth. Others used a prepared cloth developed for use as a dress shield for ladies' garments. All of these had their serious objections The glue and alum dope cloth absorbed moisture on damp days and sagged. In rainy weather it would absorb so much water that it swelled and from time to tjme you couldn't get the airplane off on account of the heavy weight. The rubberized cloth would loosen up when heated by the sun. Then a man in France put on the market a material he called "Emailite." It was the color of orange shellac and smelled very strongly of horse radish. That was the forerunner of our present cellous base dopes. Nobody could remember the word "Emailite" so they smiply called it dope and dope it stayed to the present day.
     Most of you, no doubt, will be surprised to hear that the word "haywire" really originated in the aviation business. Farnham Fish was an early Wright exhibition flier. He lived in Milwaukee. Those of you familiar with the early Wright airplane will remember that the airplane rests on two long skids and is supported by a multitude of sticks. The struts also seem very unsubstantial. In those days a large proportion of all landings were not in the place intended and they resulted in the breaking of many of these supporting sticks. Farnham Fish learned that back of every farmer's barn was a pile of haywire. Whenever he had one of these bad landings he would make for the nearest farmer's barn and get a supply of haywire and on the way back split pieces off of fence posts or small tree branches to use as splints. With these he would make the repairs to his airplane and wrap them tightly with the haywire. Every time he came back from an exhibition tour his airplane was full of these haywire repairs . They nicknamed him "Haywire Fish" and later on everybody started calling any kind of a makeshift repair, "haywire" and to this day when we want to talk about something that is not as it should be, we say it is haywire.
     My throat is getting pretty raw and I would beg the audience to excuse me at this time, but one thing I would still like to say. many persons have asked me what kind of people these early fliers wre. They said that they must have had a lot of nerve to go up in the flimsy crates which were bad at that time. Well, I can't really agree that they were nervy fellows. They were no different than the pople I know now, but there was something about the flying game at that time which when a man once got into it, he was powerless to leave. It was just like feeding a tiger raw meat the first time.-he was never the same after that. Some of these men didn't live very long but I am sure that they all lived more in their short span of life than many persons who live to a ripe old age.
Newsclipping from collection of LaVerne Erhardt
 

 
 
NEW MEMBERS

     Greetings to the following new members elected July 10, 1930. Among them you will find some long-lost bird who is still in the ring and going strong.
     Max F. Stupar, 5 Olsen Place, Hempstead, New York, production engineer with Curtiss Aeroplane & Motor Co. Demoiselle manufacturer 1910.
from CHIRP - Bulletin 6 - HOTEL CARLTON, WASHINGTON, D.C. - 1 August, 1930
courtesy of Steve Remington - CollectAir
 

 
 
INTERVIEW WITH WILLIAM G. GISEL,
former President, Bell Aircraft Corporation.
You will find an account of Max's death
by clicking on:
Max F. Stupar
You may want to use the "Find" function on "Stupar"
I invite you to read the whole story of William G. Gisel
 

 
 
MAX STUPAR ON THE AeroFiles WEBSITE
You will find two accounts of Max
at the Chicago Aero Works
by clicking on:
Max F. Stupar
You may want to use the "Find" function on "Stupar"
 
You will find the second account of Max
with the Beachy-Stupar company
by clicking on:
Max F. Stupar
You may want to use the "Find" function on "Stupar"
 

 
 
 
  Died. Max Stupar, 59, Austrian-born industrial-aviation planner; in an airplane crash, while flying a twin-engined cargo plane from Marietta, Ga. to Buffalo, N.Y.; near Wright Field, Dayton.
from TIME magazine, Dec 11, 1944
courtesy of Fred Stadler, 12-30-06
 
 
Note:
If you have any information on this Early Bird,
please contact me.
E-mail to Ralph Cooper
 
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